To talk about the project
“Portability of My Ground”, it is necessary to know of another previous project
that dates back to the late 90's which is the project “Preserves and
Conservation”. This project is the DNA of the project “Portability of My Ground.”
After years of attempts to be
able to conserve the fish, passing by numerous techniques and resins, I got a
satisfactory result in terms of visibility and d and the durability. I
was able to “freeze” in time the fish. Or the fish meal, the “piracuí de bodó”,
from the acrylic resin. During
the process, new possibilities of canned goods were presented to my eyes. The
Amazon in front of me was calling me to continue the project not just with the
symbol fish, but also with any natural element found.
It made me reflect on all
the what was around me, and it seemed natural conservation and the displacement
of the floor I was in. This added to my research in addition to the variable
time, the variable space. And in these times of decreasing geographical
distances made possible by the technological advances we become individuals
connected to the world intermittently. Hence, the term portability.
Today and until our memory is portable. Is all the equipment that we use for
that to occur this magic of the breaking of space-time. The full connectivity.
When you think about preserve
the ground where I walk, forest, beds of the river and subsequently, to carry
these findings to other environments, I realized the possibilities of poetic. A
confrontation between the natural and the man has built; the possibility
of being in any place of the world with its ground-portable. Take to other
places what you have, as an object of curiosity and a multiplicity of
substances and materials. I
intend with the same technique of the project “Preserves and Conservation” choose
interesting locations, where can apply my technique of conservation, and later
transporting, taking out from your home everything that is possible to
amalgamate with the plate-pickled resin.
Think of the transport forest/town.
This process must be georeferenced and recorded on photo and video. And the
next step is to take with me to various places where you do not imagine
yourself to be that floor and record the relationship of the material with
space and with the passers-by present.
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